Read the new interview I recently conducted with Captain America: The Winter Soldier composer Henry Jackman on The New Romanticist. In this exclusive interview about America’s top movie, a Marvel Studios picture which exceeded expectations to earn $96 million in the opening weekend, Jackman talks about the meaning of music for film, whether he sees man as heroic and whom between Captain America and Captain Phillips, another title character from the last film he scored, he would prefer to have as a dinner guest.
This is one of my most free-wheeling interviews – we went into overtime – and, besides The King’s Speech composer Alexandre Desplat and Grammy-winning songwriter Melissa Manchester, who co-wrote a song for The Weinstein Company’s Dirty Girl with Mary Steenburgen, it offers a closer examination of the creative process of telling stories through motion pictures. I hope readers enjoy the new interview as much as I did.
Speaking of music, I am still enjoying what I listen to on CD and iTunes, from James Blunt, Stevie Nicks and Elton John to Avicii, and newly remastered or released recordings by the great conductor Arturo Toscanini. I am also working on an exclusive new series of interviews with one of my favorite artists, Melissa Manchester, who is making a new, crowdfunded album (her 20th!) of the great American songbook with new tunes she wrote and appearances by classic jazz and pop artists. I’ve been privileged to attend recording sessions for the new work and I am excited. This week, I am planning to attend a preview of a new, live show, Summer Nights, by another favorite artist, Olivia Newton-John, at her residency at the Donny and Marie Showroom in the Flamingo Las Vegas. Olivia also has a new record, which I plan to review. New music from legendary artists and for enjoyable movies (and my writing teacher Leonard Peikoff just announced an amateur jazz performance at OCON in Las Vegas this summer) should make for more good tunes throughout the year.