On Saturday, February 27 (check local listings), Turner Classic Movies (TCM) airs Universal’s 1995 box office hit, Apollo 13. As with all its featured movies, TCM will air the movie unedited and without interruption.
This is at once an engaging, intelligent and intimate movie, one of both director Ron Howard’s and leading man Tom Hanks’ best pictures, and well worth seeing once and again.
I remember first seeing it in a movie theater in Glendale, California with a friend. I still recall the experience; the theater was packed and everyone seemed affected and moved. Only 10 years later, upon a second viewing and reflection on assignment for a movie review, did I think twice about the experience. Read my 2005 review, including thoughts on the anniversary DVD edition, here.
Besides the review, I also added a feature article about the Apollo space program to the archives. It was an article I started writing after seeing the movie again and attending a Universal press junket at the California Science Center in Los Angeles. Because my thesis was (and remains) that it’s an excellent movie if viewed a certain way and that its theme is troubling at best, I began to think about, challenge and question why Hollywood’s only major feature films about manned space programs were generally either negative about manned space flight or focused on what goes wrong.
What I discovered during my research about the press coverage, cultural attitudes and responses to America’s historic space program—which was denounced by an American president—helped me to better understand today’s culture, the antipathy toward heroism and the rampant anti-heroism in movies. Read the article, “Measuring the Apollo Missions”, which includes links to the NASA history, pictures and a detailed chronology of Apollo 13’s events, here.
In retrospect, my 2005 coverage of Apollo 13 and the manned space program shaped my own negative views on NASA and its Space Shuttle program, which was established by President Nixon and is, in many ways, the antithesis of the Apollo program. The motion picture industry and the space program are both fabulously successful examples of the manmade which are uniquely catapulted by extraordinary advancements in technology. Movies, such as The Martian, can give audiences a vision of the future of space exploration which is possible to mankind, and it is up to scientists to make such visions realistic and relevant to people’s lives and it is up to philosophers to explain why it matters, as Ayn Rand did when she attended the 1969 launch of Apollo 11 and wrote about it afterwards. With private space travel becoming reality, it’s worth noting that Hollywood visionaries have yet to make a movie that depicts the great, strenuous effort that goes into getting science and space exploration exactly right—not merely fixing something when it goes wrong.