The Supreme Court ruled in a 5-4 decision against Fox in the television network’s case versus the fascist Federal Communications Commission (FCC). Fox rightly asserted that the FCC’s “fleeting expletive” rule is arbitrary. But Conservative Justice Antonin Scalia, writing for the majority, stated that he did not find the rule arbitrary and capricious, as Fox claims. So, this decision is extremely harmful to freedom of speech because broadcasters will continue to be censored and live in fear of government penalties. However, the Supreme Court dodged the issue of whether the FCC rule is Constitutional (censorship is certainly not Constitutional) giving a lower court a crack at addressing that fundamental issue. Look for more on this highly important case, which may determine how quickly we advance toward dictatorship.
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When a friend sat me down to watch the now-famous clip of Susan Boyle on YouTube (appearing on a British television talent show), I didn’t know what to expect. Of course, most people have heard about it by now because the clip went ‘viral’ and has become among the most watched video clips in the world. Another friend later sent a clip of Boyle’s heroine, Elaine Paige, singing the same song, “I Dreamed a Dream,” from the 1980s’ Broadway musical, Les Miserables, based on the novel by Victor Hugo. I hesitate to venture my thoughts on the video hit as a cultural barometer, however, it has spread so far and wide that it’s hard to deny it suggests a common bond among Westerners. I think the clip succeeds due to the contrast of an admittedly ordinary woman who possesses a lovely voice, the reactions of the judges and audience, which heightened the sense that Susan Boyle overcame their prejudices, and the particular selection of music, a melodic elegy for what might have been, which resonated from a person who seemed matched to the material.
But I think that the clip caught on fundamentally because people want to see a talented person in action. The culture’s not completely jaded. Not everyone is infected with nihilism. People may laugh at cynical shows such as South Park, The Simpsons, and sniveling nightly diatribes by Stephen Colbert, Bill O’Reilly, Keith Olbermann, Jon Stewart and Bill Maher (who can be funny, though not much anymore), but they don’t rush to spread sneers. People, judging by the overwhelming response to what was a memorable moment on television, apparently still seek to spread the sight of something good.
Blogger Aaron West’s first blog post is an excellent tribute to an historic city of capitalism, Pittsburgh, Pennsylvania, where the businessman once thrived. The post is a desperately needed reminder about what makes America great. Once a bustling boomtown, Pittsburgh is no longer at the center of American industry. But the metropolis evokes the best of our nation’s Industrial Revolution. Built into the rolling, green hills of western Pennsylvania, Pittsburgh rises as a triangle of skyscrapers at the intersection of two rivers, which merge to become one, wide river, the Ohio, which flows into the West. Aaron’s post, citing industrialists Andrew Carnegie, John D. Rockefeller, and J.P. Morgan, pulls an excerpt from a book published in 1907, which captures the spirit of Pittsburgh: “Without a single exception, the steel kings and coal barons of to-day were the barefooted boys of yesterday. In this respect no other city is as genuinely republican, as thoroughly American, as Pittsburgh.”
Another byproduct of Pittsburgh capitalism, Carnegie Mellon University (CMU), bearing the names of Andrew Carnegie and banker Andrew Mellon, recently sponsored a thoughtful discussion about making money in arts and entertainment, “The Future Business Model of Television” (Pittsburgh is also the site of the world’s first broadcasting station, KDKA). The event was hosted by Heinz College’s Master of Entertainment Industry Management program in Hollywood and included NBC Universal’s Chief Marketing Officer John Miller, Fox’s Marcy Ross, William Morris Agency’s Steven Selikoff, head of the Academy of Television Arts & Sciences John Shaffner, and producer and former Warner Bros.’ executive vice-president for production, Judith Zaylor.
The event, held at the Warner Bros. studio in Burbank, California, was moderated by Wayne Friedman. Miller recalled that, when Dallas aired on CBS, everyone freaked when they learned that Larry Hagman, who played the male lead, earned $ 50,000 per episode, and he observed that the government might invoke national security and take over local television programming, which is struggling. Zaylor explained how the Sarbanes-Oxley law, which imposes regulations on business, has seriously damaged the ability to produce TV content and everyone talked about the success of Fox’s American Idol, studio cost-cutting and so-called reality TV programming, which, as Shaffner reminded those in attendance, echoes the early days of TV, which was dominated by wrestling, boxing and talent competitions. TV is experiencing a tremendous business model change and the panel reflected the current state of the industry as a work in progress, ripe for new opportunity.
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