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	<title>Scott Holleran's Blog</title>
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	<link>http://scottholleran.com/blog</link>
	<description>An informal forum for Scott Holleran's thoughts on a variety of topics and with links to other points of interest.</description>
	<pubDate>Thu, 26 Aug 2010 05:20:00 +0000</pubDate>
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		<title>Composed, Memoir by Singer Rosanne Cash</title>
		<link>http://scottholleran.com/blog/20100810-composed-memoir-by-singer-rosanne-cash</link>
		<comments>http://scottholleran.com/blog/20100810-composed-memoir-by-singer-rosanne-cash#comments</comments>
		<pubDate>Tue, 10 Aug 2010 08:27:47 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2206</guid>
		<description><![CDATA[I learned a bit about Rosanne Cash in her memoir, Composed (Viking) which goes on sale today. The first-born child of country music legend Johnny Cash is a singer with a respectable career that spans decades and her story is curiously involving.
Starting off with aspects of her youth in southern California, struggling with an absent [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/dp/0670021962?tag=scottholcom-20&amp;camp=14573&amp;creative=327641&amp;linkCode=as1&amp;creativeASIN=0670021962&amp;adid=18NE1ZGZN9AFDTXRCMMA&amp;" target="_blank"><img class="right" title="Composed, by Rosanne Cash" src="http://scottholleran.com/blog/_images/5112xdslhll_sl500_aa300_.jpg" alt="Composed, by Rosanne Cash" width="200" height="300" /></a>I learned a bit about Rosanne Cash in her memoir, <em>Composed</em> (Viking) which goes on sale today. The first-born child of country music legend Johnny Cash is a singer with a respectable career that spans decades and her story is curiously involving.</p>
<p>Starting off with aspects of her youth in southern California, struggling with an absent celebrity dad, snakes, and brush fires, Cash promises more than she delivers, touching on events without conclusion. Tales of Catholic school, growing up in California, and visiting her dad in Tennessee after her parents divorced are well written in key spots. She skimps on deeper thoughts, seeming to hold back when things get interesting. Filling in blanks with name-dropping and recounting her privileged globetrotting while suggesting a torment she never explains, Cash drifts in and out of her pursuits, from attending Vanderbilt University to traveling throughout Europe and writing songs. Without chapter titles, an index or table of contents, <em>Composed</em> feels more like an accounting to some unseen authority than a biographical narrative and at times it is tedious; like listening to a parent rattle off a list of acquaintances who&#8217;ve died. Gradually, Cash finds her way. By the last third, she writes about becoming self-made, facing what she describes as living on false premises for 30 years, making better records, raising children, hearing the first passenger jet streak low over Greenwich Village from her daughter&#8217;s school and watching the Twin Towers burn, and grieving for her father, who remains an enigma to her even after his death, her stepmother, June Carter Cash, whom she deeply admires, and her mother, whom she says &#8220;gave just the right amount of nurturing, not too much to suffocate or too little to starve&#8221;.</p>
<p>Though she mentions without elaboration &#8220;dark nights of the soul&#8221; and a teen-aged trip to Mexico after ditching school in that same passage, Cash, who survived brain surgery, <em>Walk the Line</em> (which she apparently hates), and motherhood and marriage, relaxes toward the end, making this light, easygoing book rewarding for those interested in her music, writing, and Johnny Cash. Speaking of her work, expectations and legacy, she notes: &#8220;It took me a long time to grow into an ambition for what I had already committed myself to doing, but I knew I would be good at it if I put my mind to it. So I put my mind to it.&#8221; <em>Composed</em> is more strained than composed, but when Rosanne Cash expresses herself, she offers a counterpoint to her father&#8217;s iconic line, &#8220;I&#8217;m Johnny Cash&#8221; that has more to say than simply &#8220;I&#8217;m not&#8221;.</p>
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		<title>Patricia Neal, 1926-2010</title>
		<link>http://scottholleran.com/blog/20100809-patricia-neal-1926-2010</link>
		<comments>http://scottholleran.com/blog/20100809-patricia-neal-1926-2010#comments</comments>
		<pubDate>Mon, 09 Aug 2010 07:38:30 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2191</guid>
		<description><![CDATA[A great American actress is gone. Patricia Neal, the inimitable leading actress in Ayn Rand&#8217;s film adaptation of The Fountainhead (1949), Elia Kazan&#8217;s A Face in the Crowd (1957), and Earl Hamner&#8217;s Christmas story for television, The Homecoming (1971), reportedly died at her New England home on Sunday. Miss Neal, who had been born in [...]]]></description>
			<content:encoded><![CDATA[<p>A great American actress is gone. Patricia Neal, the inimitable leading actress in Ayn Rand&#8217;s film adaptation of<em> The Fountainhead</em> (1949), Elia Kazan&#8217;s <em>A Face in the Crowd</em> (1957), and <a title="Interview: Earl Hamner" href="http://www.scottholleran.com/interviews/earl-hamner.htm" target="_self">Earl Hamner</a>&#8217;s Christmas story for television, <em>The Homecoming</em> (1971), reportedly died at her New England home on Sunday. Miss Neal, who had been born in Kentucky, premiered opposite Ronald Reagan in <em>John Loves Mary </em>(1949), married writer Roald Dahl (<em>James and the Giant Peach</em>, <em>Charlie and the Chocolate Factory</em>) and made a remarkable comeback after suffering a serious stroke, was known by her distinctive drawl and consistently powerful performances. I have nothing but affection for her as an actress. I think I first saw her as the mountain family mother in <em>The Homecoming</em>, a small story based on Mr. Hamner&#8217;s novella about a poor family&#8217;s Christmas Eve which I still enjoy, and later I thought she was perfectly cast as newspaper columnist Dominique Francon in <em>The Fountainhead</em> opposite Gary Cooper as Howard Roark, though I would like to have seen Barbara Stanwyck, who brought the picture to Warner Bros., in the legendary role. As Marcia Jeffries falling for Andy Griffith&#8217;s Bill O&#8217;Reilly-like populist in Kazan&#8217;s brilliantly biting <em>A Face in the Crowd</em>, she ran the gamut of emotions and she just got better with age, whether playing soulless patron to gigolo George Peppard in <em>Breakfast at Tiffany&#8217;s</em>, fending off drunken lout Paul Newman in <em>Hud</em>, or tending to son Martin Sheen in <em>The Subject was Roses</em>. The last Patricia Neal picture I saw in the theater was <em>Cookie&#8217;s Fortune</em> (1999) in which she played an ornery old Mississippi woman and she was the best thing about the movie. She lived an incredible life, she created some of the most memorable characters on screen and, somehow, Patricia Neal combined strength, femininity, and passion in nearly everything she did.</p>
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		<item>
		<title>Post-OCON 2010</title>
		<link>http://scottholleran.com/blog/20100803-post-ocon-2010</link>
		<comments>http://scottholleran.com/blog/20100803-post-ocon-2010#comments</comments>
		<pubDate>Tue, 03 Aug 2010 20:41:03 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2168</guid>
		<description><![CDATA[This year&#8217;s Objectivist Conference (OCON) was an amazing experience as always. I attended Leonard Peikoff&#8217;s final course, The DIM Hypothesis Part 2, based on his forthcoming book about integration. I studied Aristotle&#8217;s theory of knowledge and the films of Howard Hawks. I attended the Objectivist Academic Center (OAC) annual mixer and graduation, networked and met [...]]]></description>
			<content:encoded><![CDATA[<p>This year&#8217;s <a title="OCON 2010" href="http://www.objectivistconferences.com/ocon2010/" target="_blank">Objectivist Conference</a> (OCON) was an amazing experience as always. I attended Leonard Peikoff&#8217;s final course, <em>The DIM Hypothesis Part 2</em>, based on his forthcoming book about integration. I studied Aristotle&#8217;s theory of knowledge and the films of Howard Hawks. I attended the Objectivist Academic Center (OAC) annual mixer and graduation, networked and met with new scholars, patrons, and entrepreneurs, visited with friends and generally enjoyed a vacation in Las Vegas, bowling three consecutive strikes (a turkey), celebrating a triumphant intellectual&#8217;s wedding anniversary ceremony with his equally triumphant wife, walking and laughing and celebrating capitalism along the strip with the best among men, seeing <a title="Blog Review: Toy Story 3" href="http://scottholleran.com/blog/20100612-toy-story-3" target="_self"><em>Toy Story 3</em></a> again, and being surprised with a chauffered limousine to the Rio for an evening of magic and comedy with Penn and Teller. OCON was an incredible experience. The lectures were generally good, with a couple of exceptions (the Hoover Dam lecture was a series of interesting facts more than a cohesive lecture) and Dr. Peikoff&#8217;s last public lecture series was thoughtful, bold, and ultimately breathtaking. He presented an unassailable case for what looks to him like a bleak future based on facts and evidence and he did so with stamina, seriousness, and an occasional and appropriate use of his delightful sense of humor. Decades ago, Dr. Peikoff was right about the rise of Islamic fascism and the appeasement of the United States. He was right about Bush, Clinton, and Elian Gonzalez, whose individual rights he was among the first and only to defend. He was right in his assertion that health care is not a right and he was right about what he called the &#8220;ominous parallels&#8221; between America and Nazi Germany and he usually delivered his analyses way ahead of anyone else, sometimes, as in the case of his warnings about totalitarian Moslems, years in advance of catastrophic attacks that he had all but forecast. Though he describes himself as a teacher, commentator, and observer, his mark on the philosophy of Objectivism, which is, as he put it in his last public course lecture, &#8220;Aristotelianism purified of Platonic elements&#8221;, is crucially important and indelible. Leonard Peikoff, author of <em>The Ominous Parallels</em>, <em>Objectivism: the Philosophy of Ayn Rand</em> and the forthcoming book on integration, is my hero. His powerfully somber conclusion ended with a passionate call for the audience to &#8220;Give &#8216;em Hell!&#8221;, which cemented the memorable OCON Las Vegas 2010 as one of the finest moments in his exciting and brilliant career.</p>
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		<title>OCON in Las Vegas: Red Rock Resort</title>
		<link>http://scottholleran.com/blog/20100702-ocon-in-las-vegas-red-rock-resort</link>
		<comments>http://scottholleran.com/blog/20100702-ocon-in-las-vegas-red-rock-resort#comments</comments>
		<pubDate>Fri, 02 Jul 2010 22:53:18 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2156</guid>
		<description><![CDATA[I spent my first full day at the Red Rock Resort for the Objectivist Conference (OCON) meeting friends, sizing up the property and registering for OCON. The Red Rock is modern, the hotel room is spacious, and resort staff are courteous. I have a few gripes (poor cafe service, a broken music player in my [...]]]></description>
			<content:encoded><![CDATA[<p>I spent my first full day at the Red Rock Resort for the Objectivist Conference (OCON) meeting friends, sizing up the property and registering for OCON. The Red Rock is modern, the hotel room is spacious, and resort staff are courteous. I have a few gripes (poor cafe service, a broken music player in my room, understaffing) but in general I am impressed. Walking through the casino is interesting (haven&#8217;t gambled yet). I saw three babies, and this is no place for children of any age, with parents who were drinking alcohol, smoking cigarettes, and gambling, and not really minding their kids. I also observed an overwhelming majority of women working the slot machines while the $60 buy-in Texas Hold &#8216;Em poker tournament was a room filled with what I estimate was 99 percent men, mostly drinking and smoking and all of this during daylight. As I noted on Twitter, with tattoos, sleeveless shirts, long, gray beards, walkers, and lots of cleavage, the casino is like a ZZ Top music video and Red Rock isn&#8217;t even located on the strip. The whole place hums with 80s pop music and the sound of gambling machines and is populated by people on the prowl. Back at the adjacent hotel, the opening reception and banquet went off without a hitch, with friends, colleagues and scholars mixing, reconnecting, and discussing this summer&#8217;s exciting conference program. </p>
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		<title>Good Deal on Great Tunes</title>
		<link>http://scottholleran.com/blog/20100701-good-deal-on-great-tunes</link>
		<comments>http://scottholleran.com/blog/20100701-good-deal-on-great-tunes#comments</comments>
		<pubDate>Thu, 01 Jul 2010 06:28:02 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2126</guid>
		<description><![CDATA[Eight songs for seven dollars, that&#8217;s the idea behind Verve&#8217;s Standards series of compact discs (CDs), and it&#8217;s an enormous value. I am enjoying listening to jazz artist Stan Getz (&#8221;Pennies from Heaven&#8221;, &#8220;The Way You Look Tonight&#8221;) performing works by composers Jerome Kern, Richard Rodgers and Oscar Hammerstein, and Lorenz Hart. With digital remastering [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/dp/B003GGMLKW?tag=scottholcom-20&amp;camp=14573&amp;creative=327641&amp;linkCode=as1&amp;creativeASIN=B003GGMLKW&amp;adid=04THQP1YXC95FY4KQA7F&amp;" target="_blank"><img class="right" title="ph-standards-getz" src="http://scottholleran.com/blog/_images/ph-standards-getz.jpg" alt="ph-standards-getz" width="110" height="110" /></a>Eight songs for seven dollars, that&#8217;s the idea behind Verve&#8217;s Standards series of compact discs (CDs), and it&#8217;s an enormous value. I am enjoying listening to jazz artist <strong>Stan Getz</strong> (&#8221;Pennies from Heaven&#8221;, &#8220;The Way You Look Tonight&#8221;) performing works by composers Jerome Kern, Richard Rodgers and Oscar Hammerstein, and Lorenz Hart. With digital remastering by Kevin Reeves, the music almost sounds as if it&#8217;s being played live. Priced under $7, Standards (&#8221;Great Songs, Great Performances&#8221;), which introduces a new batch in mid-July, is a better value than iTunes or other outlets. I hope Verve maintains the quality and keeps the collections coming. Liner lists song titles, composers, and performance and production notes. The plain disc is encased in plastic, not paper.</p>
<p><a href="http://www.amazon.com/dp/B0039TD8GW?tag=scottholcom-20&amp;camp=14573&amp;creative=327641&amp;linkCode=as1&amp;creativeASIN=B0039TD8GW&amp;adid=192SXC9VMET8F6DW6SCT&amp;" target="_blank"><img class="right" title="ph-standards-ella" src="http://scottholleran.com/blog/_images/ph-standards-ella.jpg" alt="ph-standards-ella" width="110" height="110" /></a>Recent releases include <strong>Ella Fitzgerald</strong> singing Irving Berlin tunes &#8220;Blue Skies&#8221; and &#8220;Always&#8221; and George Gershwin&#8217;s &#8220;I&#8217;ve Got a Crush on You&#8221;, &#8220;How Long Has This Been Going On?&#8221; and Somebody Loves Me&#8221;. The mini-collection offers Ella&#8217;s less maudlin, more enchanting version of &#8220;Over the Rainbow&#8221;, an infectious &#8220;Dream a Little Dream of Me&#8221; and her explosive take on Johnny Mercer&#8217;s &#8220;Something&#8217;s Gotta Give&#8221;. This CD makes a perfect introductory gift or for adding finely remastered works to your own stash.</p>
<p><a href="http://www.amazon.com/dp/B003G21QS4?tag=scottholcom-20&amp;camp=14573&amp;creative=327641&amp;linkCode=as1&amp;creativeASIN=B003G21QS4&amp;adid=0PS2F3BA904A2WJQ9F4D&amp;" target="_blank"><img class="right" title="ph-standards-astaire" src="http://scottholleran.com/blog/_images/ph-standards-astaire.jpg" alt="ph-standards-astaire" width="110" height="110" /></a><a href="http://www.amazon.com/dp/B0039TD7J0?tag=scottholcom-20&amp;camp=14573&amp;creative=327641&amp;linkCode=as1&amp;creativeASIN=B0039TD7J0&amp;adid=0H9FHM2NHBPB4ZCC45QM&amp;" target="_blank"><img class="right" title="ph-standards-holiday" src="http://scottholleran.com/blog/_images/ph-standards-holiday.jpg" alt="ph-standards-holiday" width="110" height="110" /></a><strong>Billie Holiday</strong> is among those featured in the series. Though I am not a huge fan, her talent is undeniable on these familiar songs, which range from Sammy Cahn&#8217;s and Jimmy Van Heusen&#8217;s &#8220;All the Way&#8221; to &#8220;Blue Moon&#8221; and songs from <em>Porgy and Bess</em>. But I really notice the quality of the remastered songs on the <strong>Fred Astaire</strong> collection. These recordings are superior to Sony&#8217;s <em>Essential</em> <em>Fred Astaire</em> CD and others. The magnificent dancer could carry and craft a tune with his own distinctive style. Here, he sings the usual, &#8220;Night and Day&#8221; (Cole Porter), &#8220;Nice Work If You Can Get It&#8221; (George &amp; Ira Gershwin) and &#8220;Puttin&#8217; on the Ritz&#8221; (Irving Berlin), among others. With fewer scratches, his vocal skills come through.</p>
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		<title>Memphis Beat</title>
		<link>http://scottholleran.com/blog/20100628-memphis-beat</link>
		<comments>http://scottholleran.com/blog/20100628-memphis-beat#comments</comments>
		<pubDate>Mon, 28 Jun 2010 20:50:20 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Television]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2116</guid>
		<description><![CDATA[Jason Lee leads a new cable television drama, Memphis Beat, which premiered on Turner Network Television (TNT) earlier this week. Judging by next week&#8217;s episode, &#8220;Baby, Let&#8217;s Play House,&#8221; which I recently previewed, this one-hour series is middling but it has potential. Lee plays Dwight Hendricks, a police detective with roots in the city&#8217;s blues [...]]]></description>
			<content:encoded><![CDATA[<p>Jason Lee leads a new cable television drama, <em>Memphis Beat</em>, which premiered on Turner Network Television (TNT) earlier this week. Judging by next week&#8217;s episode, &#8220;Baby, Let&#8217;s Play House,&#8221; which I recently previewed, this one-hour series is middling but it has potential. Lee plays Dwight Hendricks, a police detective with roots in the city&#8217;s blues music scene, and he contends with a kid&#8217;s claim that his dad was kidnapped, a colorful partner, and an ex-girlfriend with whom he still has sex. It&#8217;s a lowdown affair. The problems mostly relate to a distinct lack of conflict and spotty directing of the talented cast. Juliette Lewis (<a title="Movie Review: What's Eating Gilbert Grape" href="http://www.scottholleran.com/movies/whats-eating-gilbert-grape.htm" target="_self"><em>What&#8217;s Eating Gilbert Grape</em></a>) guest stars as the kid&#8217;s mother and the episode I watched also features Celia Weston as Dwight&#8217;s mom in a thematically related subplot. The tie-in works well, thanks to series regular Alfre Woodard as the cop&#8217;s boss, but the show (created by West Virginia-native Joshua Harto) needs to punch up the crime, the stakes, and the performances (the ex-girlfriend character adds nothing). But the riff on Memphis as a convergence of interesting characters is in tune.</p>
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		<title>New: History of the Holocaust</title>
		<link>http://scottholleran.com/blog/20100627-new-history-of-the-holocaust</link>
		<comments>http://scottholleran.com/blog/20100627-new-history-of-the-holocaust#comments</comments>
		<pubDate>Sun, 27 Jun 2010 07:18:26 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2084</guid>
		<description><![CDATA[Oxford University Press recently published the 1998 Politik  der Vernichtung (Politics of Destruction) by Peter Longerich (Professor of  Modern German History at Royal  Holloway, University  of  London) in English. The result, Holocaust: The Nazi Persecution and Murder of the Jews, is an exhaustive account  of the National Socialists&#8217; systematic [...]]]></description>
			<content:encoded><![CDATA[<p>Oxford University Press recently published the 1998 <em><span class="star-caretcode-i">Politik  der Vernichtung</span></em> (Politics of Destruction) by Peter Longerich (Professor of  Modern German History at Royal  Holloway, University  of  London) in English. The result, <em>Holocaust: The Nazi Persecution and Murder of the Jews</em>, is an exhaustive account  of the National Socialists&#8217; systematic extermination of Jews (among others) during World  War 2. Using mostly primary sources from various archives throughout Europe, including Germany and eastern Europe, Longerich examines the Nazi murderers and their decision making process, demonstrating that the mass murder of the Jews was a &#8220;central tenet&#8221; of the Nazi philosophy,  which was crucial to Nazi policies.</p>
<p>This hardcover reference volume, making use of the 1930s archives  of the Central Association of  German Citizens of the Jewish Faith, which  re-emerged in the 1990s  after years in Soviet Russia, relies on letters  and reports detailing attacks on Jews by Germans. The documents show how the German <em>volk</em> (people) embraced Nazi attacks on Jews. Filled with notes, a bibliography and an index, this is a factual history, not a philosophical examination, of Nazi Germany&#8217;s atrocities (for <em>why</em> the Holocaust happened, read <em>The Ominous Parallels</em> by Leonard Peikoff).</p>
<p>&#8220;In the first month of the war,&#8221; Longerich writes, &#8220;Jews were almost wholly excluded from German society&#8230;In September 1939, for example, an (unpublished) general 8 p.m. curfew was imposed on Jews, their radios were confiscated, and their telephones were disconnected in summer 1940.&#8221; He continues: &#8220;Jews&#8217; ration cards were marked with a &#8216;J&#8217;, they were only permitted to use certain shops, and the times when they were permitted to shop were strictly regulated by the municipality (and often limited to one hour a day)&#8230;These drastic measures had the effect of starving the Jewish population and ensuring that they devoted most of their energies to obtaining food.&#8221;</p>
<p>Longerich describes Treblinka as a &#8220;densely forested setting&#8221; which was &#8220;screened off from the eyes of the outside world.&#8221; At first, the mass murder at Treblinka was, he writes, &#8220;a crazed massacre&#8221; with an arrival area that was scattered with corpses. When new Jews arrived to see the mayhem, he explains, &#8220;[Nazi] guards reacted to the panic that arose with further shootings.&#8221; By the end of 1942, he notes, &#8220;precisely 713,555 people had been murdered in Treblinka.&#8221;</p>
<p>With a new introduction and new material on the victims, ghettos, and death camps, Longerich, currently working on a biography of SS leader Heinrich  Himmler, has &#8220;significantly reworked, shortened in some places and extended in others&#8221; his history of the Holocaust into over 600 pages. This should be another important resource for those seeking knowledge of the 20th century&#8217;s second most evil dictatorship.</p>
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		<title>British Petroleum CEO John Browne Interviewed in 1997</title>
		<link>http://scottholleran.com/blog/20100621-british-petroleum-ceo-john-browne-interviewed-in-1997</link>
		<comments>http://scottholleran.com/blog/20100621-british-petroleum-ceo-john-browne-interviewed-in-1997#comments</comments>
		<pubDate>Mon, 21 Jun 2010 16:48:36 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Business]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2069</guid>
		<description><![CDATA[With the press and the Obama administration making British Petroleum (BP) into an arch-enemy of mankind in the wake of the nation&#8217;s worst oil spill at BP&#8217;s offshore oil drilling facility in the Gulf of Mexico, I found a couple of interesting counterpoints. &#8220;Three Myths About Oil,&#8221; a commentary about the oil business by energy [...]]]></description>
			<content:encoded><![CDATA[<p>With the press and the Obama administration making British Petroleum (BP) into an arch-enemy of mankind in the wake of the nation&#8217;s worst oil spill at BP&#8217;s offshore oil drilling facility in the Gulf of Mexico, I found a couple of interesting counterpoints. &#8220;<a title="Forbes Commetnary: Three Myths About Oil" href="http://www.forbes.com/2010/06/18/oil-spill-economy-terrorism-opinions-contributors-alex-epstein.html?boxes=opinionschannelmostpopular" target="_blank">Three Myths About Oil</a>,&#8221; a commentary about the oil business by energy analyst Alex Epstein of the Ayn Rand Institute, offers an excellent overview of the relevant facts about demand and drilling for oil that challenges the predominant views.</p>
<p>The other is an interesting 1997 interview with then-BP Chief Executive Officer (CEO) John Browne published in the <em>Harvard Business Review</em>. Mr. Browne comes across as a thoughtful company leader. When asked about the changing rules of competition, he replies, in part: &#8220;If we drill each well more efficiently than the last one, we can make a lot more money&#8211;which is exactly what we&#8217;re trying to do.&#8221; His point that the profit motive is the best assurance of quality drilling procedures is well taken and, whatever BP&#8217;s decisions since he was in charge, the extent of BP&#8217;s role in causing the current spill will undoubtedly affect their ability to make money in the future, indeed, if BP even survives as a company.</p>
<p>John Browne also talked about the difficulty of deep water drilling, which is essentially mandated by the government due to environmentalist bans and concerns about closer offshore drilling. Browne said: &#8220;We have a big acreage position in the deep water of the Gulf of Mexico, where drilling is an enormous technical challenge. The water there is between 2,000 and 8,000 feet deep, and then you have to drill 7,000 and 12,000 feet below the seabed to reach hydrocarbons. Because the water is so deep, you can&#8217;t affix anything to the seabed, and no human being can go down that far. So you have to use special vessels to drill. They are very expensive, and because it&#8217;s fashionable to be drilling in this area, they&#8217;re becoming even more expensive. In 1995, we spent 100 days on average drilling deepwater wells. We now spend 42.&#8221;</p>
<p>That was 1997 and it certainly sounds as though BP was well aware of the risks and was working to measurably reduce exposure to risk. There is no dispute that government regulations and bans on offshore oil drilling are an integral part of the cause of the current spill and the attacks on British Petroleum by the U.S. government are a deflection based on the government&#8217;s guilt in causing the destruction. To whatever extent BP made mistakes, they should make amends, but when it comes to oil, safety, and fixing problems, I trust BP more than I trust the government.</p>
<p>I do not know much about the company&#8217;s rich history, but I am generally impressed by Mr. Browne in the <em>Harvard Business Review</em> interview, conducted by Steven Prokesch. Asked about business relationships, echoing banker John Allison&#8217;s views on self-interest in business, Mr. Browne explains: &#8220;You can&#8217;t create an enduring business by viewing relationships as a bazaar activity&#8211;in which I try to get the best of you and you of me&#8211;or in which you pass off as much risk as you can to the other guy. Rather, we must view relationships as a coming together that allows us to do something no other two parties could do&#8211;something that makes the pie bigger and is to your advantage and to my advantage.&#8221; He goes on to cite a case involving oil field services company Schlumberger, which developed a logging tool for BP which allowed BP to better gauge drilling horizontal wells.</p>
<p>Browne also offered six points on building distinctive relationships. &#8220;The most important aspect of any relationship,&#8221; he answered, &#8220;is understanding what your partners hope to get out of it and to work hard to help them achieve that goal. It is the key to transforming a contractual relationship into a genuine collaboration.&#8221; Point two is that you have to deliver on promises. Third, he said, &#8220;you never build a relationship between your organization and a company or a government. You build it between individuals.&#8221; Fourth, Browne advised keeping relationships relatively open, flexible and cooperative; fifth, that you approach an opportunity with what he calls humility, by which I think he means an awareness of one&#8217;s limitations, and sixth, that you build relationships for the long-term. Responding to the follow up question, he recommended that businesses &#8220;instill the belief that competitive performance matters&#8211;that producing value is everyone&#8217;s job and that to produce value you need to focus so that you don&#8217;t get distracted by things that aren&#8217;t central.&#8221;</p>
<p>Later in the interview, he relates the story of how BP&#8217;s step-by-step approach to horizontal drilling resulted in oil wells he calls &#8220;the longest drilled in the history of the oil industry&#8221; that saved the company $ 75 million. Mr. Browne concluded: &#8220;So, contrary to what some may believe, you <em>can</em> institutionalize breakthrough thinking.&#8221; [Emphasis his]. Yes, you can, <em>if</em> you are free to compete in business, to drill for oil, and, first and foremost, to think.</p>
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		<title>Summer in Vegas</title>
		<link>http://scottholleran.com/blog/20100615-summer-in-vegas</link>
		<comments>http://scottholleran.com/blog/20100615-summer-in-vegas#comments</comments>
		<pubDate>Tue, 15 Jun 2010 05:08:11 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2060</guid>
		<description><![CDATA[Next month&#8217;s Objectivist Conference (OCON) in Las Vegas will feature a fireworks display at the event&#8217;s host Red Rock Resort on the Fourth of July. The resort&#8217;s owner, Station Casinos, announced that the nine-minute show, produced by the Gruccis of New York and described as the largest fireworks show in southern Nevada, will celebrate the [...]]]></description>
			<content:encoded><![CDATA[<p>Next month&#8217;s Objectivist Conference (OCON) in Las Vegas will feature a <a title="Red Rock Resort: Fireworks Press Release" href="http://www.stationcasinos.com/corp/newsroom/releases/2010/061410a.php" target="_blank">fireworks</a> display at the event&#8217;s host Red Rock Resort on the Fourth of July. The resort&#8217;s owner, Station Casinos, announced that the nine-minute show, produced by the Gruccis of New York and described as the largest fireworks show in southern Nevada, will celebrate the nation&#8217;s 234th birthday on Independence Day. Other OCON festivities on July 4th include a free OCON-sponsored celebration during the daytime. I reported on Red Rock as conference venue host in a <a title="Blog Post: OCON at Red Rock" href="http://scottholleran.com/blog/20100517-objectivist-conference-ocon-2010" target="_self">previous post</a>. Elsewhere in Las Vegas, hedonism appears to be spreading with a new trend in poolside entertainment: topless swimming pool parties. Read the article, unaccompanied by nude photos, in <a title="USA Today: Topless Vegas Poolsides" href="http://www.usatoday.com/travel/destinations/2010-06-10-las-vegas-adult-topless-pools_N.htm" target="_blank"><em>USA Today</em></a>. Besides my scheduled classes, courses, and events during the conference, I am also planning on seeing the Penn and Teller show, seeing a movie at the Red Rock&#8217;s cinemas, and heading out on the town with friends.</p>
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		<title>Toy Story 3</title>
		<link>http://scottholleran.com/blog/20100612-toy-story-3</link>
		<comments>http://scottholleran.com/blog/20100612-toy-story-3#comments</comments>
		<pubDate>Sat, 12 Jun 2010 23:03:51 +0000</pubDate>
		<dc:creator>Scott Holleran</dc:creator>
		
		<category><![CDATA[Movies]]></category>

		<category><![CDATA[Walt Disney Studios]]></category>

		<guid isPermaLink="false">http://scottholleran.com/blog/?p=2036</guid>
		<description><![CDATA[The third in Pixar&#8217;s Toy Story animated pictures, Toy Story 3 (available for viewing in 3D), is a treat for the family. Beginning and staying with an exciting and extended sense of play (this Disney movie&#8217;s main theme), Andy&#8217;s toys fret about their future as the 17-year-old packs his stuff for college. The familiar characters [...]]]></description>
			<content:encoded><![CDATA[<p><img class="right" title="Toy Story 3" src="http://scottholleran.com/blog/_images/ph-toy-story-3.jpg" alt="Toy Story 3" width="200" height="284" />The third in Pixar&#8217;s <em>Toy Story</em> animated pictures, <em>Toy Story 3</em> (available for viewing in 3D), is a treat for the family. Beginning and staying with an exciting and extended sense of play (this Disney movie&#8217;s main theme), Andy&#8217;s toys fret about their future as the 17-year-old packs his stuff for college. The familiar characters are all here, led by Buzz Lightyear (voiced by Tim Allen) and Woody (voiced by Tom Hanks), and the 3D is fine if that&#8217;s your thing, though, as with Tim Burton&#8217;s Disney picture,<a title="Movie Review: Alice in Wonderland" href="http://www.scottholleran.com/movies/alice-in-wonderland.htm" target="_self"><em> Alice in Wonderland</em></a>, the technology doesn&#8217;t make the movie (and the glasses are heavy on the bridge of the nose, as Chicago film critic Roger Ebert observed earlier this year). Andy gets a bit more screen time (apparently, he is an artist) and when his box of toys winds up at a day care center rather than in the attic, the toys break as usual from Woody&#8217;s loyalty to Andy and insist that it&#8217;s time to let go since, as they believe, they are no longer valued. One of the enjoyable aspects of <em>Toy Story</em>, and this is a Pixar quality born of John Lasseter and Steve Jobs, is a reverence for material possessions, contrary to those who denounce materialism and the concept of ownership, as inherently valuable to the individual owner (note the former&#8217;s worship of cars and the latter&#8217;s brilliant creation of things that improve our lives in Apple&#8217;s fabulous products). <em>Toy Story 3</em> does not disappoint in upholding the ownership of toys and, in fact, when a counterfeit capitalist (Ned Beatty) shows up at day care praising individual initiative but seeking &#8220;the good of the community&#8221;, the toys get another lesson in the dangers of collectivism. Woody is a lone voice of reason, as usual, reminding himself to &#8220;think, think,&#8221; and leading by example in showing the toys (Jessie, Bullseye, Mr. and Mrs. Potato Head, Rex, Hamm, Slinky) the difference between a team of individuals and a group ruled by a dictator. Even Mattel&#8217;s Barbie (Jodi Benson, the voice of Ariel in <a title="Movie and DVD Review: The Little Mermaid" href="http://www.scottholleran.com/movies/little-mermaid.htm" target="_self"><em>The Little Mermaid</em></a>) goes rogue, making a short speech about having the consent of the governed. But, mostly, <em>TS3</em> is hilarious and fun, adding a classic Fisher-Price toy, Barbie&#8217;s Ken (Michael Keaton), who has to choose between self-absorption and self-interest, and the delightful wit and humor in Michael Arndt&#8217;s (<a title="Movie and DVD Review: Little Miss Sunshine" href="http://www.scottholleran.com/movies/little-miss-sunshine.htm" target="_self"><em>Little Miss Sunshine</em></a>) screenplay. Besides the running gag that the day care center is like a prison, there are peppered, veiled references to <em>The Shawshank Redemption</em> (a character voiced by Bud Luckey is a hoot) and even <em>Saving Private Ryan</em>&#8217;s lesson that undeservedly forgiving an enemy soldier is a huge mistake. <em>Toy Story 3</em> is not as new and fresh as the 1995 original. But it delivers the same clever, wholesome family entertainment of its predecessors and, in a toddler character named Bonnie, who represents the child at play and, in this context, man at his best, <em>TS3</em> reminds us dearly and richly that having things, owning things, and &#8220;being played with&#8221;, matters very much indeed.</p>
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