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26 August 2009

Tribute Film Classics Presents: ‘The Prince and the Pauper’ Score

princepauper

Tribute Film Classics (TFC)—composed of John Morgan, Anna Bonn, and William Stromberg—is proof that not everyone in Tinseltown chooses to ‘go Hollywood’. These diligent musicians recently released another exquisite recording, the complete Erich Wolfgang Korngold score to the 1937 Errol Flynn classic adaptation of the 1882 Mark Twain novel, The Prince and the Pauper (available from this vendor).

Here’s what I wrote in an online column about TFC when they started up last year:

“One need not be a fan of the literary-themed pictures to enjoy the first two recordings … definitive compact disc editions of composer Bernard Herrmann’s scores for Mysterious Island and Fahrenheit 451. The CDs alone are impressive.

“Besides the score for Francois Truffaut’s 1966 adaptation of a novel about a totalitarian regime that bans books, Universal’s Fahrenheit 451, TFC offers the complete 61-track score for Mysterious Island. The release includes entire cue cuts, with notes by TFC principal William Stromberg, who conducted the Moscow Symphony Orchestra’s performance, and TFC co-founders Anna (Mrs. Stromberg) Bonn and John Morgan. Their approach is admirably meticulous.

“The 1961 adventure classic, Mysterious Island (Columbia Pictures), based on the novel by French writer Jules Verne, features two Union prisoners of war (POWs) who escape in a hot-air balloon during the American Civil War. They drift to the titular fantasy isle, encountering giant creatures, a volcano, an earthquake, a honeycomb and another famous Verne character, Captain Nemo (Mr. Verne’s Mysterious Island is a sequel to his 20,000 Leagues Under the Sea).

“Mr. Herrmann’s memorable music accentuates the movie’s thrills and the accompanying 32-page booklet is more intelligent and informative than most books, with time stamps and notes on chords, instruments and scenes. That doesn’t really do this labor of love, which must be seen to be appreciated, justice. The same caliber of top production values is present on TFC’s booklet for Mr. Herrmann’s complete Fahrenheit 451 score, which includes notes from author Ray Bradbury. Both CDs are a rare accomplishment in today’s movie-related products: they take motion pictures—their artists, scores and history—seriously.”

So does The Prince and the Pauper, recorded in Moscow, Russia. It is another outstanding accomplishment.