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An Objectivist in Pittsburgh

Blake Scholl addresses Objectivists in Pittsburgh. (Photo by Scott Holleran)

Watching Boom Supersonic founder and CEO Blake Scholl address this summer’s Objectivist Conference in Pittsburgh, I was struck by the newness, youth and growth of the movement to advance Ayn Rand’s philosophy, Objectivism. Blake is a friend whom I’ve known since he was a student at Pittsburgh’s distinguished university named for two great American capitalists — Andrew Mellon and Andrew Carnegie — at the end of the 20th century. Today, Blake’s a leading new voice for capitalism, seeking to reclaim and restore supersonic air travel.

As the only philosophy to advocate capitalism on the ethics of egoism, which Ayn Rand (1905-1982) referred to as the virtue of selfishness, Objectivism is perfect for attracting, inspiring and guiding productive achievers such as Blake Scholl, who departed after his talk in Pittsburgh to Paris, where he tripled orders for Boom Supersonic’s new jet (its XB-1 Supersonic Demonstrator is scheduled to fly at Edwards Air Force Base in Southern California in 2019). The system of ideas created by the author of Atlas Shrugged is bound to foster businessmen such as Blake Scholl, who presented his vision for aviation based on speed, convenience and quality before what the Ayn Rand Institute claims is its largest annual Objectivist Conference.

Pittsburgh

The city of steel, bridges and exemplary education, Pittsburgh, too, is the perfect place to exhibit an enticing preview of the manmade. Pittsburgh was at the crux of creating the world’s single, greatest period of productive achievement, the Industrial Revolution. This magnificent city, where pioneering soldiers, frontiersmen, industrialists, doctors and artists protected and forged the nation’s most enduring new enterprises — in medicine, engineering, energy, movies, television and the arts — continues to be underestimated. Just like America, Ayn Rand and the best minds.

Certainly, Boom’s Blake Scholl may make mistakes in executing his vision. However, with Blake’s presentation, the Objectivist movement reaches a higher point — fittingly, in a tower located next to railroad tracks at the south bank of the Monongahela River in a proudly industrialized metropolis which climaxes at a golden triangle pointing West, stretching into lush, green hills. This year’s OCON included lectures on intellectual property, stoicism and the gold standard. Ayn Rand biographer Shoshana Milgram delivered insightful talks on Rand’s interviews with industrialists and an examination of Rand’s favorite novel, which is about building a grain elevator. There was a screening and discussion of the Oscar-nominated documentary Ayn Rand: A Sense of Life, trivia and talent events and a panel discussion on free speech with Flemming Rose, a journalist who once published a Mohammed cartoon and still needs police protection. Pittsburgh doctor Amesh Adalja spoke on the history of infectious disease in the city where his heroes, Drs. Thomas Starzl and Jonas Salk, made medical history. OCON Pittsburgh — during which the Pittsburgh Penguins won hockey’s Stanley Cup and I visited family and friends and saw the Pittsburgh Pirates defeat the Colorado Rockies at PNC Park — included tours of the Homestead blast furnace once owned by Andrew Carnegie‘s U.S. Steel, Henry Clay Frick’s (1849-1919) home and owned works of art and Fallingwater, the home Frank Lloyd Wright designed for Pittsburgh department store owner Edgar Kaufmann in 1936. I was writing TV scripts on deadline during the conference and missed some talks, events and mixers. And, while certain conference services, staff and events failed, fell flat or need improvement, others were good, new or interesting.

Blake Scholl’s talk stands out as an Objectivist hallmark. That this Carnegie Mellon University graduate stood as a businessman against the cynicism and anti-intellectualism of our times to demonstrate that the good is possible and that air transportation can and ought to be grand, fast and glorious realizes Ayn Rand’s depiction of man as a heroic being. That he did it in Pittsburgh is perfectly rational. So, here comes evidence that the potential for the gleaming, industrialized future Ayn Rand’s idealistic novels envision, promise and dramatize can be made real. Whatever happens on the day after tomorrow, to paraphrase a condensed description of Atlas Shrugged — a novel, it must be recognized, which also depicts a dramatic episode of aviation adventure  — this is true, which is cause for all thinkers to want more of what Objectivism explains and offers for living here on earth.

Movie Review: The Mummy (2017)

Tom Cruise stars in Universal’s The Mummy, which looked like it might be a throwback to classic horror movies. In spite of Cruise, whose movies are often almost as formulaic as his acting, I wanted to like The Mummy. With David Koepp, whose cinematic adventure stories (Jurassic Park and Spider-Man, and also the underrated Zathura) can be enjoyably childlike, as a credited screenwriter, I knew it might be fun (and, to some extent, it is).

There’s more to The Mummy than Koepp’s storytelling and Cruise’s appeal, however. The more that’s piled on, the less engaging it gets. Russell Crowe (Man of Steel) as a mysterious Dr. Jekyll and steampunk atmospherics might have infused The Mummy with psychological subtext. But the movie is diminished by bad acting (not Crowe’s), flat directing and poorly written lines.

“You have been selected as the vessel of the ultimate evil.” Audiences might have reason to expect such a line in a comic book-based movie and Crowe’s Dr. Jekyll as the default narrator of this retelling of the mummy as monster delivers it as best as he can. As with so much of The Mummy, it stands out for its silliness, exacerbated by the unevenness of the whole movie. Corpses from the Crusades, a plot point which starts things off, might also have been developed into an interesting subplot. But, they, too, are depleted and reappear predictably and without finesse. This tale from the crypt of a power-lusting, tattooed, erotic zombie (Sofia Boutella) in black-haired bangs borders on camp.

With an Egyptian backstory, the plot about this bloodthirsty monster being “mummified alive” sticks to its pretzel-twisted logic. Wasting Courtney B. Vance as a military leader, Cruise and sidekick roam Iraq with the U.S. military while searching for treasure to loot. Indeed, Cruise for the first half is like a sobered, showered and shaved cousin of Captain Jack Sparrow. He’s a scoundrel, a thief and a looter, as when he forces his partner to join him on a dangerous mission, which turns out badly for the sidekick. Cruise’s character is as lovable a wreck as Sparrow, which is not meant as a compliment.

None of the characters in The Mummy are sympathetic, which derives from the picture’s theme that everyone, including Jenny the archaeologist (milquetoast Annabelle Wallis) is flawed and that life’s a grand trick to redeem oneself. Again, it might have all clicked into place on its own terms—opposing views aside and despite the generics and histrionics—had the parts been affixed rather than discarded amid silly distractions. For example, following a harrowing plane crash, Jenny and Cruise’s character stop for a beer. This after he went down with the plane and miraculously survived; no scars, no serious shock, no blood, bandages or medical treatment, just bar banter.

Add a sandstorm, corpse close-ups, spiders, parasitism and necrophilia and The Mummy tops implausibility with effects over essence. It may look exotic, but it starts to get incomprehensible. An Arab terrorizing London with a looming threat of mass death heightens the ghoulishness (now that’s bad timing). Cruise’s character is drawn to the berserk mummy as to a siren which is more puzzling than involving until you realize that it sets up The Mummy‘s point that one must “sacrifice for the greater good”.

In short, it’s a newly rearranged blend of stuff you’ve seen and heard before. This includes overstylized films such as Pirates of the Caribbean, Harry Potter, the atrocious War of the Worlds (complete with Cruise’s character running with the apocalypse) and Cruise’s own immortal ghoul vehicle, Interview with a Vampire, only with milder homoeroticism, and, of course, the superior World War Z. The Mummy is not awful. It’s merely mediocre. It might have been better.

Devoted to Olivia

I was sorry to learn today that Olivia Newton-John is “reluctantly postponing her June U.S. and Canadian concert tour dates”, according to an authorized statement on her behalf, as the back pain the singer initially attributed to her sciatica “has turned out to be breast cancer that has metastasized to the sacrum.” Olivia pledged in the announcement to pursue natural wellness therapies, complete a short course of photon radiation therapy and is “confident she will be back [on tour] later in the year, better than ever…”

I decided on my direction of therapies after consultation with my doctors and natural therapists and the medical team at my Olivia Newton-John Cancer Wellness and Research Centre in Melbourne, Australia,” says Olivia Newton-John.

I have long admired her work as an actress, songwriter and singer—since the 1970s, when I first heard Olivia’s hit songs on AM radio during family road trips to Wisconsin and soon discovered Olivia’s albums in record stores. I had the pleasure to meet and interview Olivia at her home in Malibu and, years later, backstage at her shows at the Greek and in Las Vegas, where I attended a preview concert which was the basis for her Vegas show’s first review.

Buy the Album

I know firsthand that Olivia, whose 2008 duets album, A Celebration in Song, provides some of the best music for those with cancer, is a thriver, as she once told me. This outstanding artist is a leading champion for finding a cure for cancer and she does so with grit, grace and strength. As I wrote of her collection of inspirational songs on this blog in 2009, Olivia makes music “for anyone battling cancer or any of life’s difficulties.” From the opening anthem, “Right Here with You” to the last track, Belinda Emmett’s (1974-2006) “Beautiful Thing,” it’s one of her best. “Courageous” is the perfect tune for summoning one’s innermost abilities to thrive in life. I’m wishing courageous Olivia a speedy recovery and the best of everything with love.

Rescheduled concert dates will be posted on her official Web site “in the coming weeks”, according to the statement.


Related Links

Official Olivia Newton-John Web site

Olivia Newton-John Cancer Wellness and Research Centre

Exclusive Concert Review: Olivia Newton-John in Las Vegas

Music Review: ‘Hotel Sessions’ by Olivia Newton-John

Music Review: ‘This Christmas’ by John Travolta and Olivia Newton-John

Exclusive Interview: Brett Goldsmith on ‘Hotel Sessions’ by Olivia Newton-John

The Bambi Articles

Three of my articles about Walt Disney’s 1942 classic, Bambi, are now archived on the site. The movie, which was based on a novel and adapted from a 900-word screenplay, made during a world war and lost the studio money for years, has a fascinating history with relevant lessons for today’s moviemakers and moviegoers alike.

My film review is based on my first viewing of the animated motion picture, which I saw for the first time when the movie debuted on DVD 12 years ago and was surprised to find I thoroughly enjoyed. I wrote about Bambi for a movie site in which I was a partner (which was sold to a database subsidiary of Amazon that no longer offers in-depth articles). Read my review of Bambi, which includes details of Disney’s 2005 Platinum edition DVD, here.

Buy ‘Bambi’

This was one of my first themed online series. My starting point for Bambi was an essential history of Walt Disney’s wartime follow-up to Dumbo and Snow White, which includes basic facts, such as box office stats and budget, and tracks the movie’s origins, background and legacy. The editorial experiment worked, too, I’m happy to say (not all of them did) as pre-social media readers read, shared and printed the articles in high numbers, especially considering that they came to the site for statistics. I created the Bambi series to entice them to stay, read and browse other site pages. The history of Bambi and the other two articles formed the editorial model for my thematic approaches to covering film, particularly classic film, which extended to our in-depth coverage of Star Wars, classic Disney and Sony’s Spider-Man pictures, as well as films about Islamic terrorism, Alexander the Great and the Alamo. Bambi got things started. Read the Bambi history here.

As editor and writer of the movie site, and wanting to add a third article for a trilogy of rotating pieces heralding the arrival of the film on DVD, I also sought interviews with some Hollywood artists whose work I’d admired whom I had reason to think might be interested in, and possibly influenced by, Walt Disney’s Bambi. Among these were a Back to the Future screenwriter, the creator of Hollywood’s most popular animal-themed franchise since Lassie and an animator who had attended the highly regarded, Disney-made Cal Arts academy in the Santa Clarita Valley. During extensive interviews with each, their comments and insights went far beyond the usual and predictable compliments for influential movies. Read the article about artists praising Disney’s Bambi—incuding their thoughts on its most controversial scenes—here.

Twelve years after these articles were first published about the movie which basically made me an instant classic Disney fan, the Burbank, California, studio is planning to release what they call a Signature Collection Blu-Ray/DVD combination set. So, Bambi goes on sale next week (May 23) on iTunes, Amazon and all that (support the site and buy the new collection here). Bambi remains one of my favorite Disney pictures and, if you read the articles, I think it’s easy to see why. In the future, I’d like to give all the great movies, works of art and singular histories the fuller examination they deserve.


Related

Movie and DVD Review: Bambi (2005)

History of Bambi (2005)

Hollywood Remembers Bambi (2005)

Pre-Order Bambi

Maximizing Social Media, Summer of Seventeen

Doesn’t it seem like you spend more time setting functions, turning them on and off, managing e-mail and notifications and blocking, deleting and relentlessly scrolling, sizing and filing with your finger? Taming technology to work for you, as against passively letting assets become liabilities that overwhelm, is often tedious, draining and time-consuming.

Balancing, integrating and making the best of today’s personal tech demands is the focus of my all-new summer course on social media. Among the lessons: safeguarding your reputation, managing expectations and posting pictures into their proper context. The course premise is to leverage social media to advance one’s self-interest.

Register Now

The 4-part series, Maximizing Social Media, runs from 6PM, Monday, June 5th through July 10th at Burbank Adult School’s San Fernando Valley campus near Bob Hope Airport. Though I can’t guarantee that your time spent using technology under certain conditions for certain purposes will immediately make you feel more fabulous than frustrated, I’m confident that you’ll have a better grasp of social media and, should you choose to use my lessons, look forward to your social media time and gain compounding value from it.

Maximizing Social Media is a concise, intensive course covering essential media management principles. These include how to make and cultivate an enduring, rewarding social network. Each class features visual displays or demonstrations, as well as opportunities for personal instruction and highlighted screenshots of social media sites, tools and apps. Register online for Maximizing Social Media here. I also teach a 6-part Writing Boot Camp this summer at the same campus.


Register for Writing Boot Camp

Register for Maximizing Social Media